Volunteers’ Week: Meet Shelley

Occupation: Creative Website and Graphic Designer | Volunteer Role: Marketing and Café

Why did you choose to volunteer with BCA?

Being originally from the Caribbean, black heritage has always had a massive impact on my upbringing. I have an avid interest in historical figures, particularly ones of black heritages and it seemed like BCA was perfectly suited.

What have you learnt from volunteering?

Small changes can have a big impact. Although it may not seem like it, each small act of giving can feed into helping create a better community.

What advice would you give to anyone interested in volunteering?

I would advise to take some time to think about what or where you really want to get involved. Take the time to find something that aligns with your core values.

Has volunteering made a difference to your life? If so, how?

Gratitude. I find it provides me with moments to take notice of small things or opportunities that bring joy.

We would like to say a massive thank you to Shelley and all our volunteers for all their hard work at BCA.

Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

Volunteers’ Week: Meet Klaine

Occupation: Student | Volunteer Role: Greeter

Why did you choose to Volunteer with BCA?

I wish to become a guide for tourists.

What have you learnt from volunteering?

I wish to become a guide for tourists. Volunteering is a good way to get experience, I can add it to my CV.

What advice would you give to anyone interested in volunteering?

I would give them the advice to be careful with the language they use so that they don’t upset someone.

Has volunteering made a difference to your life? If so, how?

Yes, because I meet people and I like to travel outside of my house.

We would like to say a massive thank you to Klaine and all our volunteers for all their hard work at BCA.

Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

Volunteers’ Week: Meet Nzingha

Occupation: Author, activist and Retired nurse | Volunteer Role: Member of BCA Friends Committee

Why did you choose to Volunteer with BCA?

To make a contribution to supporting the work of BCA & contributing to the historical legacy created by people of African descent in the UK

Opportunity to share my skills from my work life, I am from a nursing/health visiting background

I have experience of staff management, fund raising and a long history of volunteering across diverse organisations

I can also help to recruit other people to become friends who can support the work of the BCA

What have you learnt from volunteering?

The importance of being committed, reliable and flexible when volunteering

The complexities experienced by organisations such as BCA trying to provide services to the the public who have diverse expectations which can sometimes be unrealistic

That organisations operating on tight budgets are in need of committed reliable volunteers with diverse skills to help facilitate their continued operations

I've met and been exposed to a wide range of very positive people from the community who have made great contributions to the history of people of African descent and have been able to share some of this knowledge with people in my family, in the area where I live and with other organisations operating in the country

What advice would you give to anyone interested in volunteering?

Your contribution as a volunteer is valuable and is valued even when people forget to say “Thank you” it can just be that people are so busy trying to keep the organisation going that they forget, don't get upset, let someone know how you are feeling

The BCA belongs to the whole community and is there through the past efforts of volunteers such as yourself who saw the need for an establishment such as this to preserve our history and legacy; so as a volunteer you are also making a contribution to this

Volunteering enables people to support organisations in their community, it aids development on both sides, the organisation benefits from the skills & experience that the volunteer brings & the volunteer acquires knowledge & skills which they may otherwise never have been exposed to

Volunteering counts as work experience an can be added to your CV

Has volunteering made a difference to your life? If so, how?

Yes, volunteering has impacted my life. I have been volunteering for many years across many organisations and have gained confidence, diverse knowledge and some new skills. I

have met many great people whom I would not otherwise have met and been exposed to events and places which I would not necessarily have been exposed to. In volunteering at the BCA, I also feel that I am making a contribution to preserving the legacy started by others, thus ensuring its longevity for future generations

We would like to say a massive thank you to Nzingha and all our volunteers for all their hard work at BCA.

Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

Volunteers’ Week: Meet Ras Levi

Occupation: Rastafari Chaplin and Community Activist | Volunteer role: Library Assistant and Exhibition Guide

What did you choose to volunteer with BCA?

Simply to offer my skills and experience, to acknowledge and support the establishment, BCA and the community. Also, to facilitate when possible communication and good relations amongst staff, friends and community.

What have you learnt from volunteering?

From being a volunteer, I have met people involved in community activities and development, lots of researchers, students, officials from various groups and organisation from near and far.

I have learnt to appreciate differences, the value of sharing knowledge and the significance of BCA as a unique tool for the community.

What advice would you give to anyone interested in volunteering?

My advice to anyone interested in volunteering is do not be afraid to offer your skills and ideas. Take time to learn about our history; be aware of opportunities available. Be friendly and care for others.

We would like to say a massive thank you to Ras Levi and all our volunteers for all their hard work at BCA.

Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

Volunteers’ Week: Meet Jessica

Occupation: Retired Educationalist | Volunteer Role: BCA Friends Secretary, Library Assistant and Events

Why did you choose to volunteer with BCA?

I choose to volunteer with BCA as the organisation and what it represents is important to me. I am well aware of the sacrifice and hard work of others, for over 30 years, to get BCA to where it is now and am happy to give back some time.

What have you learnt from volunteering?

This is my fourth year of volunteering and my learning has been interesting and varied as I am happy volunteering almost everywhere.

In addition to specific skills such taking cash/card payments at the till or making coffee using the coffee machine I have increased my knowledge of UK related Black history, either through assisting with exhibitions or volunteering in the reading room.

What advice would you give to anyone interested in volunteering?

Come and join us at BCA, we always need good volunteers! Most people have a wealth of skills but usually stick to an area they feel safe in. It’s important to be flexible and be prepared to go beyond your original remit e.g. the courtyard might need sweeping!

Has volunteering made a difference to your life? If so, how?

I have always volunteered throughout my life and at BCA volunteering gives me an opportunity to use my skills and expertise in various roles. I like turning up for ‘work’, I enjoy all aspects of my roles and I am constantly learning. As a retiree, regular volunteering keeps me current!

We would like to say a massive thank you to Jessica and all our volunteers for all their hard work at BCA.

Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

Volunteers’ Week: Meet Joel

Occupation: Banking | Volunteering Role: Workshop Assistant and Events

Why did you choose to Volunteer with BCA?

The Black Cultural Archives is a brilliant and important institution, which has done extremely well to stay true to its founding mission, which is to document the history of Black British people. It has truly been an honour and a pleasure to volunteer for the BCA, as I have been able to make my own small contribution to this great organisation while meeting an array of passionate and energetic people from all walks of life.

What have you learnt from volunteering?

I’ve learned that volunteering isn’t just about helping others, which is a noble endeavour in and of itself – but that volunteering can be a great opportunity for self-development and building one’s own confidence.

What advice would you give to anyone interested in volunteering?

Volunteering can be a brilliant endeavour as it offers the chance to give something back to the community. Additionally, it provides an opportunity to develop new skills, meet great people, as well as the chance to build on existing experience and knowledge.

Has volunteering made a difference to your life? If so, how?

Volunteering has added a new and exciting dimension to my life. It has given me new purpose, new direction, new friends and a new method of self-development. Moreover, knowing that I am contributing to something greater than myself and positively impacting upon the lives of others, is incredibly satisfying.

We would like to say a massive thank you to Joel and all our volunteers for all their hard work at BCA.

Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

Volunteers’ Week: Meet Jasmine

Occupation: Student | Volunteer role: Office Administration Internship

Why did you choose to Volunteer with BCA?

I chose to volunteer at the BCA because I was interested in what they do as an organisation. I had visited an exhibition here a year ago and really liked it so I thought I would volunteer. I also wanted to learn a bit more about how the organisation operates from behind the scenes and about Black history in general.

What have you learnt from volunteering?

I have learned a wide range of skills from volunteering. I now know basic level admin skills, such as managing a diary, as well as customer service skills, such as using a till. I have also learned to function on a day-to-day basis in a workplace environment.

What advice would you give to anyone interested in volunteering?

I would tell anyone interested in volunteering to bring dedication to the work you do. Also, to just enjoy it, as you are helping the BCA to thrive.

Has volunteering made a difference to your life? If so, how?

Volunteering has made a massive difference to my life. Before volunteering my illness had hindered me from doing the things I wanted and from learning new things. Since I have more of a grip on my health and I am able to volunteer, it has really helped me in many ways. As well as learning new skills, volunteering has helped me to really develop my inter personal skills and confidence. Ultimately its just made me happy and I’ve met some really interesting and amazing people.

We would like to say a massive thank you to Jasmine and all our volunteers for all their hard work at BCA. Would you be interested in becoming a BCA volunteer? You can register your interest via our Volunteer page.

BCA celebrates Volunteering Week

As part of Volunteers' Week (June 1-7), Black Cultural Archives (BCA) will be celebrating the amazing team of volunteers that help us make BCA what it is. 

Throughout the week, we'll be highlighting a few of the dedicated people who support us in delivering our mission. It's one of the ways we do our best to say thank you.

"The Black Cultural Archives was born out of the efforts of a group of volunteers and is still powered by those who voluntarily support our mission," says Volunteering Manager, Karis Morris-Brown 

"With volunteers giving over 100 hours each week, it is important to us that we acknowledge all that they give to us. Our volunteers support us across the organisation: from our Trustees to Front of House and exhibition support" continues Karis

"BCA is a vibrant space with a small staff team. This means our volunteers get to be a part of all areas of the organisation from meeting royalty to supporting those affected by the Windrush scandal."

Charities across the UK will also be holding events to thank their volunteers and celebrate the power of volunteering. Last year there were over 600 events across the country, from award ceremonies to tea parties and barbecues.

You too can join our team of volunteers by filling in our volunteering application form. Make sure you keep an eye on our website and our social networks throughout the week to meet the people behind BCA.

BCA places the legacy of Windrush at the heart of its forthcoming programme

It's been over 70 years since the arrival of the HMT Empire Windrush on British shores. Though British citizens, the Windrush Generation and their descendants have had their belonging wrongly challenged.

Invited to mainland Britain to be a part of the post-war rebuilding of the nation, assured that they too were Brits, men and women of the Caribbean arrived ready to meet their fellow citizens as neighbours. Instead, they experienced racism and were ostracised, told in no uncertain terms that they were not welcome.

 The Windrush Scandal of 2018 speaks to a longer narrative of racism and successive governments attempting to use legislation to define who is, or is not, British – often along the lines of race.

BCA has spent the last year advocating for the Windrush Generation. We continue to do so with the announcement of a programme dedicated to the resilience, impact and legacy of the Windrush Generation.

This programme will amplify the voices of those who lived through this case of modern-day history and will acknowledge the ongoing contribution of all those that came after.

Stories past and present, and not featured in the mainstream media, will come to life, presenting visitors with the real voices of Windrush. Learn how Windrush came to be and the true stories of a people displaced, even though Britain should have been a home from home.

This programme is not only for our communities who will uncover hidden dimensions to this familiar story. It is for all people to learn about the struggles and contributions of Black British Caribbeans - and beyond - during this time.

The programme will launch on Windrush Day (June 22) at our home, 1 Windrush Square.  Along with an exhibition, we will be hosting a series of events in the weeks that follow including film screenings, book launches and panel events.

Windrush is a living history. A story that deserves to be told and understood. We hope you will visit us and join our campaign to bring the exclusion of a people to an end.

Bookmark our website or sign up to our newsletter for future announcements.

Up close and personal with Arike Oke, BCA's Managing Director

It’s been almost a month since new Managing Director, Arike Oke, joined Black Cultural Archives. We sat down with her to not only talk shop but get to know BCA’s new visionary.

Tell us a bit about yourself

My dad’s Yoruba, my mum’s white-English. I grew up in both Bauchi and Hull as a child: polar opposites in many ways. When we came back to school in Hull I remember my big sister convincing our school mates that we had a pet lion back in Nigeria. I was too wrapped up in voraciously reading books to get into trouble, but growing up both working class and across traditions gave me a strong sense of social justice and a passion for finding identity through history.

I’ve had a few jobs, from cucumber picking to registrar of births, deaths and marriages, but my first heritage job was as a positive action trainee archivist on the seminal Connecting Histories project in Birmingham. That project opened my eyes to the power that archives have to make a difference. Later, leading Rambert’s archive out of the wilderness to national prominence helped me see that a strong vision, leadership and collaboration is the formula for success.

Do your names have a meaning and do you think they're reflective of you?

I have both my grandma’s names. I use my third forename, Arike, which is a praise name. It doesn’t have a direct translation into English, but is somewhere in between ‘the pampered one’ and ‘the person you should cherish on sight’. Given those translations, I think I probably shouldn’t comment on whether they’re reflective of me!

Which book, song or film reflects your favourite portrayal of Black British culture?

I read a lot, all the time. It’s hard to choose a favourite portrayal of Black British culture, the great books I’ve read this year by Irenosen Okojie and Simi Bedford have already such different portrayals of our experience.

The most affecting book I read recently coming from the contemporary Black British experience was Stormzy’s. I was incredibly impressed at the team approach to writing it, to exposing how the music industry works, and how clear-eyed Team Merky’s ambitions are. It is a work of collaboration and celebration whose ambition sings from each page. A really good, and inspiring, read.

 What's the best way to start the day?

I am not a morning person, but I’ve started doing yoga in the mornings, just free YouTube videos, before heading out. This way my mind is already open and awake before I get to work. 

What inspires you to do better?

Working in heritage for so long I’ve learned about the stories of people who have overcome obstacles. From big names like Dr Martin Luther King to lesser known people such as anonymous transwoman whose collection I acquired for Wellcome Collection, I find inspiration in real people who have pushed through, pulled together and kept their integrity intact. I recently met Baroness Amos, who features in BCA’s current exhibition, Radiating Greatness. She was kind and open, and disarmingly humble despite everything she’s achieved and seen. She made doing your best for others, and succeeding, feel both in reach and natural.

Where's the farthest you've ever been from home?

The first time I visited America I remember looking out of the plane window as land passed below us. Maybe it was Greenland. It was a strange experience: growing up I had flown over Europe and Africa numerous times, but I’d always felt a connection to the land and sea beneath me. Flying over the volcanic landscape I felt as though I were flying over another planet. I was nervous to visit Atlanta alone a few years ago, but when I arrived in the city itself I was amazed. I have never been so far away but felt so at home.

What are your hopes for BCA?

BCA is the home of Black British history, a beacon and a promise. We have got this far, we’ve got our building, we’ve got our foundational collections. Now it’s time to establish our voice and to return to our founding purpose. We can correct the omissions and erasures in British history. We can make sure that Black British people have a voice in the national agenda. We can support new and emerging talent. We can be part of the community, as a platform and collaborator.

What are you looking forward to over the coming months at BCA?

Over the next few months I’ll be getting my head down to stabilise BCA’s finances and partnerships. We are assembling a cracking team around the BCA, and I’m looking forward to working with them, to meeting, listening to, and working with BCA’s family, supporters and communities, and to opening the windows and doors to let the fresh air of creativity back into the building.

How would you like to engage with the community in and around BCA?

I want there to be conversations, not just hearing but listening to the community’s ideas, hopes and priorities. BCA is more than the headquarters at Windrush Square, but the building should become an asset for the community too. How we achieve that at the same time as making the building work to support BCA’s core mission and funding needs will take trial and error, mutual understanding, patience and creativity.

Is there anything else you'd like to add?

In the words of Queen Nina Simone, ‘There's no excuse for the young people not knowing who the heroes and heroines are or were’. We have a responsibility to the present and to the future, let’s face it together.

Local artist and Poetic Unity organiser launches new spoken word album

Brixton local Ryan J. Matthews-Robinson better known as Ragz-CV is releasing his first spoken word album titled 'Soul Lyrical' which will be sold exclusively at the Black Cultural Archives shop from April 2nd 2019.

The album which has a soulful flavour featuring vocalists, a pianist and a saxophonist throughout which also touches on relevant topics today such as Mental Health, Youth Violence and Identity. Ragz-CV has been a pillar in the community for some years, previously raising over £10,000 for 'Alzheimer's Society' through his music and he is also the founder of registered charity 'Poetic Unity' which has helped thousands of young people across the country.

You can pre-order your hard copy of the album today by emailing your full name with the title 'Soul Lyrical' to bookings.ragzcv@gmail.com.

For more information on the album or to check out some of Ragz-CV's previous work please go to www.RagzCV.com

We say thank you and goodbye to Director, Paul Reid

Yesterday we said goodbye to our Director Paul Reid, who for more than 10 years has represented Black Cultural Archives as a passionate and strong voice for our community. We will come together to celebrate Paul’s contributions officially in a month’s time, but want to take this moment to thank him for everything he has done to help make the dream of our monument to the history and heritage of African and Caribbean people in Britain a reality.

We know he will continue to be a key ambassador for BCA, forever connecting us to a diverse community of supporters. Not one to stand still, Pablo (as he is affectionately known by his many friends) is using some of his immediate free time to cycle over 200+ miles to raise money for ORIGIN, the youth charity he supports for our young Black men www.gofundme.com/brothers-in-paris-origin

Get exclusive discounted tickets to Mandela: The Official Exhibition

26 Leake Street Gallery, Waterloo, London | https://mandelaexhibition.com

Black Cultural Archives are proud to offer an exclusive discount to one of the most talked about exhibitions of the year. Book your tickets to see Mandela: The Official Exhibition using the code ‘BCA1250’ and not only will you receive reduced tickets but a £1 donation will be made to BCA.

Mandela: The Official Exhibition gives visitors the chance to experience the iconic anti-apartheid revolutionary, political leader and philanthropist Nelson Mandela in a new way.

This major new global exhibition explores the life of the world’s most famous freedom fighter and political leader. His epic story is told in a series of experiential galleries from his rural childhood home through years of turbulent struggle against the apartheid regime, to his eventual vindication and final years as South Africa’s first democratically elected President.  His journey to becoming the ‘Father of South Africa’, and a globally loved and respected figure is explored in new, personal and revealing ways. With exclusive stories from Madiba himself, his family and those that knew him best, visitors will see Nelson Mandela in a new light.

Head over to the official website to book tickets for yourself, family and friends. Don’t forget to enter the promotional code ‘BCA1250’ to get your exclusive discount for this one of a kind event.

EVENT: Benjamin Zephaniah Book Tour

Saturday 9 March 2019
18:00 - 21:00
Tickets: £8 for standard tickets, £28 for tickets with a copy of the book
Book your tickets on Eventbrite

We are proud to welcome the uncomparable Benjamin Zephaniah to Black Cultural Archives as he launches his new book, The Life and Rhymes of Benjamin Zephaniah. The event will feature a Q&A session led by Black Cultural Archives' new Managing Director, Arike Oke.

Benjamin Zephaniah is a pioneer of performance poetry. His talent as a lyricist and storyteller emerged at a young age, helping him to survive the racism he faced growing up in 1960s Birmingham. A vibrant music scene in the form of roots reggae and the sound system culture of the 1970s provided the backdrop to a teenage life that was, at every turn, encountering institutional racism.

Benjamin speaks candidly of his time living outside the law, and how he broke away from the path his schoolteachers told him was inevitable. His mission was to take poetry everywhere. With the flame of creativity burning inside him, he came to London and emerged as a uniquely dynamic performer, when punks and rastas were fighting Thatcherism and the National Front in the 1980s. Nelson Mandela formed a close friendship with Benjamin after hearing his musical tribute to him recorded with The Wailers – the first artist to do so after the death of Bob Marley.

This award-winning playwright, lyricist and much-loved poet has been a voice of reason and resistance for almost four decades. His memoirs provide a vivid portrait of an extraordinary life that celebrates the power of poetry and the importance of pushing boundaries. 

Guests can join us from 18:00 with the event starting at 18:30. There will be books available for purchase on the day. You can book your tickets via our Eventbrite page.

Deadline Extended: Could you be a BCA Trustee?

Black Cultural Archives is refreshing its Board of Trustees and bringing in new governance capability in readiness for the next critical phase of its evolution.

About Black Cultural Archives

In 2014, after a successful £7million fundraising campaign, Black Cultural Archives launched the only national Black heritage centre in the UK.

We are a charity committed to creating exhibitions, public programmes and a collections service that continues to stimulate fresh thinking and improve and increase the knowledge of the whole population of the importance Black history in Britain.

Our strategic objectives are to grow our collection; to provide inspiring learning experiences; to change the teaching of British history by leading the debate and inspiring others to play an active role in reshaping the national narrative; and to develop a sustainable organisation. Now after a four-year cycle of leadership we are refreshing our Board of Trustees for 2019 - 2023.

We have recently appointed a new Managing Director, who will agree and execute a new strategy, commencing end Q1 2019.

Experience and availability

Listed below are sectors which incoming trustees should have experience:

• National heritage organisations;

• Parliament / Civil Service / law;

• Sport / Media / Broadcasting;

• Youth / 3rd sector / Community groups;

• Academics / Education;

• Literature / Arts / Music;

• City of London, professional services, technology, retail;

We are seeking up to 4 Trustees and a Company Secretary, with high-level Board experience of one or more of the above areas and who are demonstrably able to attract funding or hold events that generate substantial annual revenues for BCA as well as bring the time and skills to complement the current board of trustees.

Tenure is in periodic 4-year cycles, with annual reviews at board AGMs.

These are voluntary positions with no remuneration but will provide candidates with opportunities to contribute their significant expertise to our important mission and join at a time when we are renewing our governance and strategic leadership at the highest levels.

The Board meets once every 6 weeks (6.30-8.30 pm) at 1 Windrush Square.

The closing date for receipt of applications is Monday 25th March 2019. If you would like to apply, please send your CV and covering letter to charlotte.evans@bcaheritage.org.uk.

Your cover letter should highlight your interest in BCA and motivation for joining our Board. Please also detail your availability and relevant experience.

Black Cultural Archives appoints new Managing Director

Wednesday 6 February 2019, London, United Kingdom --- Black Cultural Archives (BCA) has appointed Arike Oke as its new Managing Director. From Monday 4 March, Arike will lead the only national heritage centre dedicated to collecting, preserving and celebrating the histories of African and Caribbean people in Britain.

Arike has extensive experience in the heritage and cultural sector and a long track record in leading large and complex, multiple-stakeholder initiatives. She is a standing board member of the National Archives’ programme to transform the UK archives sector, Unlocking Archives, is a BAFTA Heritage Board member, and previously had an integral role in redeveloping Wellcome Collection’s approach to archives.

Her role will be to drive BCA’s mission to use its unique collection to promote the teaching, learning and understanding of African and Caribbean people’s history and heritage in Britain, as well as leading the strategic development of BCA, delivering against a Business Plan and fundraising strategy for the long-term sustainability for the organisation.

Arike Oke said: “I am delighted to become the new Managing Director of BCA, building on the achievements of Paul Reid and his team. I am a passionate advocate of communities and heritage, and I take pride in working with people and on projects who share the ethos of creating a positive future for all. I’m looking forward to working with my new colleagues, the Board, patrons, the local community, and our wider society to take BCA into its next phase. Black Cultural Archives is the home of Black British history, and is the conduit for telling our new, and old, stories. I'm excited to lead BCA to fulfil its potential as innovative, dynamic, and at the heart of our national conversation.”

Arike’s achievements include chairing Hull’s first Black History Month committee, securing significant funding for, as well as programming and managing, a national cross-sector multi-platform programme to commemorate Rambert’s 90th and helping to create the current UK Strategic Vision for Archives.

Dawn Hill, Chair, BCA said: “Arike is the perfect person to join BCA as Managing Director and we are thrilled to have her become part of the team. She shares our vision for the future of BCA and is bringing a wealth of experience, energy and creativity to the role.”

Of his tenure at BCA and Arike’s appointment current Director, Paul Reid, said "Through the lens of African and African-Caribbean history and heritage, BCA’s Founders set out to establish a lasting legacy to our Ancestors. Len Garrison’s poem 'Where are all our monuments' posed a key question. I’m pleased with what we achieved during my time as Director and that we now have a greater commitment to changing the teaching and understanding of British history.

I am also excited by Arike Oke’s appointment as Managing Director, who I am sure will, with her team, continue to realise the vision."

Paul will be leaving his role on 28 February 2019.

BCA statement £200,000 government cash boost

We're delighted that the government has announced £200,000 of short-term funding for Black Cultural Archives (BCA). It is an important and welcome contribution. We will begin 2019 continuing discussions with all of our funders to address the challenge of long-term sustainability for BCA.

Although there isn’t a comparable archive in the UK that is financially independent, we recognise that BCA is in a unique position. As we move through these challenging times it is essential that we secure the legacy for future generations as the only national institution dedicated to uncovering, preserving and celebrating the histories and heritage of African & Caribbean people in Britain..

Paul Reid

Director, BCA

Dawn Hill

Chair, BCA

blackculturalarchives.org

Notes to editor:

Black Cultural Archives is situated in the heart of Brixton on Windrush Square. Its mission is dedicated to collecting, preserving and celebrating the histories of people of African and Caribbean descent in Britain. Founded in 1981, BCA is the first of its kind and its unique collection includes rare historical documents, photographs, ephemera, oral history testimonies and an eclectic range of objects dating from the second century to the present day. BCA’s work recognises the importance of broader historical narratives and promotes dialogue that encourages everyone to learn, explore and become inspired by an inclusive British history. BCA aims to create a sustainable institution through its We Are One and #BackBCA campaigns. Funded by the London Borough of Lambeth.

Black Cultural Archives revises admission charges to support its long-term future collecting, preserving and celebrating Black British histories

Black Cultural Archives (BCA), the only national heritage centre dedicated to collecting, preserving and celebrating the histories of African and Caribbean people in Britain, is to begin charging £3 per adult admission charge for exhibitions in the main hall.

BCA’s mission is to continue to expand its archive collection which permanently documents and celebrates the histories of Black people in Britain. Tickets to all future exhibitions will be £3 for adults, with children under 16 and Friends of BCA granted free entry and concessions for pensioners and students. There will also be free admission days and evenings for local community groups. This new admission policy will help to #BackBCA by supporting its long-term sustainability goals, enabling BCA to continue to provide a platform for otherwise untold stories.

For the first time, BCA is calling for exhibition proposals for 2019-23 seasons from community groups, artists and experts across the arts and heritage centre. Through BCA’s exhibitions, visitors can engage in unique learning experiences, cultural exchanges and intergenerational conversations that stimulate a greater understanding and appreciation of history. To find out more about our holdings visit the Subject Guides on our website or visit us to view the collections in person.

Academic World Pledges Support For BCA

Rt Hon Jeremy Wright

Secretary of State for Digital, Culture, Media and Sport

100 Parliament St.

London SW1A 2BQ

Dear Secretary of State,

As Heads of History Departments at UK universities, we are writing out of concern at the possible closure of a nationally-important scholarly institution.

The Black Cultural Archives (BCA) in Brixton has been an important part of the institutional landscape for historical study in Britain for decades, a position strengthened with the opening of its new building in 2014. It is the only national heritage centre in the country to collect, preserve and celebrate the history of the African and Caribbean community in Britain. It is uniquely trusted as a depositary for manuscripts and artefacts documenting the history of people of African origin in Britain. As a result it has a large archival collection documenting the history of individuals and organisations, of great and increasing value to historians interested in all aspects of the history of Britain. The standards of archival preservation are the very highest, equivalent to that used by the National Archives and British Library.

In addition to its role as an archive the Black Cultural Archives performs a vital educational role furthering the study of the role of the diverse people of African and Caribbean descent in Britain. It has strong partnerships with British universities and museums. The BCA has jointly curated exhibitions with the Victoria and Albert Museum. It collaborates on research projects with the Universities of Leeds and Surrey and University College London, jointly teaches a history module with King’s College London, and is a vital resource for students from dozens of universities. It attracts researchers from academic institutions from across the world, with connections to the Nelson Mandela Foundation and the US Smithsonian Institution amongst others.

The BCA furthers scholarship on the history of Black Britain to the very highest academic standards, while nurturing a constant dialogue with Britain’s African and Caribbean communities. In that respect, it is the very model of what history should be about now: always insistent on academic rigour, but also looking outwards, engaged with a broader public and in doing so not afraid to ask difficult questions.

As you know, the BCA has been very successful at receiving short-term and capital funding, allowing it to open its current building and grow significantly over the last few years. However, a nationally significant institution such as the BCA needs long term funding, on the same kind of basis as other national museums and archives such as the National Archives, British Library or indeed many county or regional museums and art organisations which receive funding through the DCMS. With museums and libraries now being able to join the Arts Council’s National Portfolio, one possibility is to include BCA in the funding portfolio as a long-term means of supporting it.

We are writing to urge you to find a long-term means for funding the Black Cultural Archives. We’d appreciate hearing about your thoughts on BCA’s funding situation as soon as possible, so we can reassure colleagues anxious about the future of this vital partner for historical scholarship in the UK.

Yours faithfully,

Signed by the following Heads of History Departments:

Professor Abigail Woods, Head, Department of History, King’s College London

Professor Jan Rueger, Head, Department of History, Birkbeck, University London

Professor Simon J. Potter Head of History University of Bristol

Professor Matt Houlbrook, Head, Department of History University of Birmingham

Professor Tim Harper, Chair, Faculty of History, University of Cambridge

Professor Meggen Gondek Head, Department of History & Archaeology University of Chester

Professor James Livesey,

Dean of Humanities and Professor of Global History, University of Dundee

Professor Catherine Cubitt Head, School of History University of East Anglia

Dr Mark R Frost, Head, Department of History, University of Essex

Dr Timothy Cooper, Head of Humanities Penryn Campus, University of Exeter

Dr John Price, Head, Department of History, Goldsmiths, University of London

Professor George Lewis, Head of School, History, Politics & International Relations, University of Leicester,

Professor Elaine Chalus, Head, Department of History, University of Liverpool

Dr David Clampin, Liverpool John Moores University

Professor Matthew Jones, Head, Department of International History, London School of Economics and Political Science

Dr Drew Gray Haed, Department of History University of Northampton

Professor Sarah Badcock Head, Department of History, University of Nottingham.

Dr Andrew Gritt,

Head of History, Languages and Global Cultures Nottingham Trent University

Professor John Watts, Chair, Faculty of History, University of Oxford

Prof. Joanne Begiato, Head of the School of History, Philosophy & Culture Oxford Brookes University

Dr Elaine Murphy, Associate Head of School for History, University of Plymouth

Professor Adrian Bingham, Head, Department of History, University of Sheffield Professor Douglas Hamilton
 Head of History, Department of Humanities
 Sheffield Hallam University

Professor Simon MacLean, Head, School of History, St. Andrew’s University

Professor Eleanor Robson, Head, Department of History University College London

Professor Daniel Branch Head of Department of History University of Warwick

Professor Lawrence Black, Head, Department of History, University of York

Also signed by the following senior university leaders:

Dr Johanna Malt, Executive Dean,

Faculty of Arts and Humanities, King’s College London

Professor Nicola Phillips, Vice Principal (Education), King’s College London

Professor Evelyn Welch, Provost (Arts and Sciences), King’s College London

Professor David Price, Vice-Provost, Research, University College London

Professor Sasha Roseneil, Executive Dean, Faculty of Social and Historical Sciences, University College London

Professor Anthony Smith, Vice-Provost, Education, University College London

Dr Laura Sandy Co-Director of the Centre for the Study of International Slavery (CSIS) University of Liverpool

Dr Sam Edwards Director, Manchester Centre for Public History and Heritage Manchester Metropolitan University

Dr Cathy Smith Deputy Dean, Faculty of Education and Humanities University of Northampton

Black Cultural Archives calls for bidders to save significant historical artwork to stay in Britain

Auction house Christie’s has announced the sale of a rare portrait of Ignatius Sancho – artist unknown. This rare depiction of one of Britain’s historical figures represents the extent of Black presence in Britain, which far exceeds the popular migratory narrative of the Windrush arrival in 1948.

The sitter, Ignatius Sancho, was the first Briton of African heritage to vote in a British election and was a celebrated writer, composer and musician. Renowned for his efforts towards the British abolitionist movement, Sancho became a symbol of the humanity of Africans and immorality of the slave trade.

The rare portrait goes on sale Thursday 13 September 2018 and it will go on view to the public on Friday 14, through to next Wednesday 19.

Black Cultural Archives is national repository for collections that document the histories of Black Britain. Its archive collections dates back to 211AD and aims to rewrite the historical narrative in Britain to become more inclusive. Dawn Hill CBE, Black Cultural Archives Chair viewed the significant piece and comments, ‘we express great interest in this significant portrait and call for bidders to come forward to ensure this artwork remains in Britain.’

In 2015, BCA exhibited Black Georgians – The Shock of the Familiar curated by historian S. I. Martin that showcased the presence and contributions people of African descent in Britain throughout the Georgian period of 1714-1837. BCA’s exhibition featured Ignatius Sancho, often described as freedom writer whose efforts contributed to the emancipation of enslaved peoples. The Letters of Ignatius Sancho are one of the earliest accounts by an African documenting their experience as an enslaved person in Britain. Sancho sits alongside historical figures such as Phyllis Wheatley (1733-1784) the first Black woman published in Britain and Olaudah Equiano (c.1747-1797) whose prominence became renowned as one of the first political leaders for the Black Britons during the Georgian period. Individuals such as Ignatius Sancho contributed to the pressure and raised awareness to the grotesque immorality of the enslavement of African peoples through the power of literature and expression.

BCA’s mission is to collect, preserve and celebrate the histories of African and Caribbean people in Britain. Its work engages with learners and the general public to share and promote a broader understanding of British history. Through its expansive collection BCA ensures that these histories are visible and accessible to everyone.

Auction lot: English School, circa 1770 after Thomas Gainsborough (British, 1727-1788). For more information about the portrait view online catalogue

For enquires regarding the artwork contact Christies’ Client Service via info@christies.com or London +44 (0)20 7839 9060.